Most other emulations model the newer G Series, and for that I use the Glue from Cytomic. Dgburns Brainworx have actually modeled the Brown and Orange knob EQs on these channel strips. They can be toggled with the EQ Type buttons. BTW If anyone is interested in buying these new bxSSL tools at $99 PM me. SSL G-Master Buss Compressor Based on the renowned master buss center compressor of the SSL 4000 G console, the Waves SSL G-Master Buss Compressor captures the unique sound of the original's IC input and twin VCA gain-reduction amplifier design SSL G-Equalizer This four-band equalizer, modeled on the SSL G.
- Sound
- Features
- Ease Of Use
Brainworx BX consoles E and G Review
![Bx Ssl 4000 G Bx Ssl 4000 G](https://plugmon.jp/files/uploads/2020/02/bx_ssl_ss.png)
![Vocaloid com english movies Vocaloid com english movies](https://static.bhphoto.com/images/images1000x1000/1415622009_1094126.jpg)
Plugin Alliance has, over the last few months, released several different console emulations to fit across your mix in a DAW, creating the analog inconsistencies and quirks that please the ear when it comes to making music out of the box.
Bx Ssl 4000 E Gearslutz
In this review, I'll walk through the structure for two of the emulations, as they're identical with a couple exceptions, and then I'll do my best to compare and contrast the ‘tone' created by the emulations of the different desks, and what you can expect them to do when put on your mix. Maheshinte prathikaram torrent.
These console emulations are of two SSL desks, one from the 70's, and one from the 80's, complete with the different characteristics that each console had.
The emulations each contain 72 channels, with extremely subtle tonal differences within the filter, compression, expander, gate, and EQ modeled on the original strips on the desks. More on this in a bit.
These plugins contain all the elements that were present on each channel, with the addition of some new hybrid elements that weren't on the original, to bring the plugins into contemporary digital mix world.
Each plugin has 3 main sections; dynamics, EQ and the metering/Channel selection. Dynamics and EQ can be turned on and off at the bottom of each section.
Dynamics contains:
2 filters, Hi-pass and Lo-pass. You can triple the frequency range of each filter, as well as place it on the inputs of the Compressor if you wish.
The classic SSL compression is here, in its simple form. No menu diving on this one, there's 3 basic knobs; ratio, threshold and release. The attack is automatic, unless you press a button to override to a fast attack.
One thing I absolutely loved about the compressor was the Mix control – adding dry signal back into the compressed sound, so if you're too lazy to buss to parallel comp, you can do it all there in the plugin. Brilliant.
You can also stereo link if it's a stereo signal, giving smoother stereo compression, instead of dual mono.
Expansion/gate. You can switch between the two here. Again it's a simple powerful affair, with range, release, threshold and hysteresis knobs. The range affects the gain reduction, and the threshold dictates at what level the gate/exp kicks in. You can also switch to the inverse signal (you only hear the ducked signal).
The dynamics section can be swapped between the two series, so you can have the E or G dynamics on either plugin. This is fantastic, almost giving you 2 plugins for the price of one.
You can switch out depending on whether you want the more colourful E comp or the tighter more precise G comp, along with the exp/gate and filters that come with it.
The side chain is available on all the dynamics processing on both plugins. I absolutely love sidechaining, as I find it tightens up my mixes immensely. I've never done much sidechaining other than with compression, but using it with a gate was a great learning experience. Being able to open the gate on any track when the Kick hits can really tighten up a mix rhythmically.
EQ section
The EQ is 4 band – 2 shelves and 2 parametric bands. Each of the plugins has a switchable EQ type – in the E console it's black and brown knob, and with the G it's orange and pink knob.
On the G series, with the pink knob, there's a x and / by three for the High mid and low mid freqs for a slightly wider frequency range than the E series.
I found the G series EQ slightly more aggressive in its sculpting than the E series, especially the pink knob version. It gave some serious punch to drums, compared to the other EQ's. Both EQ's are very flexible, with distinct tonal characteristics.
I also found the G to sound warmer to my ears. Less cutting than the E. But I definitely found that material responded completely differently to the two EQ's, and your ears will pick up and appreciate different EQs for different source material.
Having the different colour knob flavours just gives you more choice to pick from! You can place the EQ before, in the middle of (side chain), and after the dynamics section.
Metering
This is not just the basic utilitarian section. Yes, it has metering of the main signal, expansion and compression, in and out gain, phase and mute; all the standard bits on a metering section. But the additions to my mind are where the BX console plugins start to stand apart from their competition.
TMT – this element is what sets the BX consoles emulations apart, to my mind. Not only does the plugin emulate the hardware, it goes channel to channel, and emulates the tiny tonal differences between each channel, from each section.
Once you've instantiated the plugin on several (or all) your tracks, you can control which ‘channel' of the mixer each track runs through. You can go through and select a channel on each track, you can randomise one track, or you can randomize all your tracks at once. Heard one channel at a time, I could sometimes hear distinct differences in the way the plugin responded to the source material.
Sometimes I couldn't hear any difference at all. All your settings are kept the same, so you're simply clicking through the different channels, until something pops out, or you give up. But where this truly shines, to my ears, was on full mixes.
As our favourite philosopher, Marilyn Monroe, once said, 'Imperfection is beauty'. Where this plugin really sings is where the ear picks up on slight imperfections in the sound, making the overall picture richer, fuller and wider.
Flicking through the ‘random all' button I found caused really interesting changes in the mix – stuff would get darker, or closer, or stick out a bit. You can turn the TMT off, and have every channel identical, which is a good way to check you're not going mad, or convincing yourself of something that's not there!
The V-gain knob adds analog noise to the signal. It's slightly fluctuating, and changes depending on the channel, so it's not just straight noise. There's thought gone into the noise! I really like the fact that you can choose whether to have the analog noise in or not, and you can adjust the amount. Per channel.
THD – this is possibly my favourite little knob in these plugin series. It adds harmonic distortion to each channel separately.
The combination of this and the modeling of slight differences in each channel just give the analog flavor, that warmth, color, grit that you might be looking for.
I love that you can dial it in per channel, so if you want some guitars dirtied up, but you want to keep the percussion and piano cleaner, then it's as simple as turning some knobs, to get more of that analog distortion, and still keep the clean digital signal running through other channels. Here's a (low quality) video showing Dirk explaining how the console itself had varying tolerances between each channel on his (and other) consoles.
I also like the surprisingly low CPU putting these plugins across the whole mix. It gives you all the basic sound shaping requirements you need on every channel. If only there was something like the Console 1 to enable you to use hardware mapped automatically to the plugins across the mix. That would be extremely useful!
Conclusion
These are channel strips plain and powerful. They're designed to lay across all the channels of your final mix, so they're coded light on CPU. They sound great, are very flexible, and very similar.
The differences tonally are there, but the best way to decide which you prefer is to demo them yourselves. I personally preferred the G console. I felt it was easier for me to give mixes more punch, and weight. But I did love the fact that you could swap out EQ's and Comps on both plugins, giving you a lot of variety within the plugin. I absolutely loved the control over the analog noise and distortion, and the extra flavor the TMT brought.
Highly recommend both – but definitely check the demo versions to see which your ears prefer!
They're $299 apiece, but who knows what the Christmas sale will bring!! More info on the Plugin Alliance website.
DISCLOSURE: Our posts may contain affiliate links, meaning when you click the links and make a purchase, we receive a commission.
You Might Also Like..
MediaVideosImagesOverview
This plugin is included in our MEGA Bundle Subscription and the Brainworx Brand Bundle at no extra cost!
Welcome Solid State Logic to the Plugin Alliance!
![Bx ssl 4000 g Bx ssl 4000 g](https://www.amazona.de/wp-content/uploads/2019/10/plugin-alliance-brainworx-ssl-bx-console-4000e-4000g-1.jpg)
The legendary sound of the Solid State Logic 4000 series consoles brought to you by Brainworx. With the power of TMT this officially licensed SSL plugin allows you to build a 72 channel analog console in your DAW. Harness the power of the most famous British console ever produced.
These console emulations were created using the original schematics and in close collaboration with the SSL team. Brainworx have also added powerful plugin only features such as THD, a compressor mix parameter and V-Gain for authentic control of the analog signal path.
The new 4000 E/G Series plugins have been taken to the next level by SSL & BX engineers together:
Bx Ssl 4000 Generator
- Revisited Component Modeling with assistance of SSL engineers
- Created using the original Solid State Logic 4000 E/G schematics
- Completely overhauled EQ, Dynamics and Filter sections
- New Brainworx features added: THD ALL & V-GAIN ALL
Features
- 72 different (!) TMT Channels in one plugin, just like a real console
- 4000 E and G dynamics on board (switchable)
- Global parameters that affect all channels, like RANDOM ALL, THD ALL
- The only CONSOLE emulation, everything else is just a channel strip.
Audio Examples
![Ssl Ssl](https://i.imgur.com/OSyNzZN.jpg)
Industry Reviews
The Brainworx SSL models perfectly frame the beauty of imperfection found in analog consoles.
Customer Reviews
This console is AMAZING
Guys, never used a real one.. Never had the chance to see it for real though. If this plugin is an emulation of the real one, what a miss!! Hopefully this channels are AMAZING!!!! And i mean it,… Read More4000 G
Absolutely love this Channelstrip.
90% of my EQ and compression is done with it (not to mention the amazing TMT on top of that!).
Thanks!bx_console SSL 4000G
While I already own a few emulations of the SSL 4000G EQ from other companies, I just felt I had to try this console emulation out, and it didn't disappoint. Although I'm not working on a project… Read MoreAmazing
Between this and the 9000J, I could be any happier. I love the musicality and bite of the G and how it adds a wonderful weight and depth to the source. Love it!Lovin it
Great one! I love everything that has to do with the SSL, but this one it really works. I custom a preset for my bass and it makes it fat and warm as I like it.
Specification
Supported Plugin Formats
AAX DSP, AAX Native, AU, AAX AudioSuite, VST2, VST3
Supported Operating Systems
macOS 10.9 through 11.0.1
Windows 7 through 10
Mac
Intel CPU only (minimum 2 GHz recommended)
PC
x64-compatible CPU
System Requirements
Display resolution: 1440 × 900px or 1280 × 960px or higher
Memory: 2 GB RAM
Downloads
With the Installation Manager, you can select, download and install just the Plugin Alliance products and formats you need for your system.
![Bx Ssl 4000 G Bx Ssl 4000 G](https://img.wavescdn.com/1lib/images/products/plugins/preview/ssl-g-master-buss-compressor.png)
bx_console SSL 4000 G Installers
Installation Manager
ChangeLog
Brainworx bx_console SSL 4000 G - Changelog
Version 1.4 (May 27, 2020)
- General: Qualified for use with the Windows 10 May 2020 Update
- General: VST3: Fixed potential hangs in a DAW upon loading
- General: Fixed logical issues in undo / redo behavior
- General: Fixed UI resizing issues in Ableton Live on Windows
- General: Fixed audio processing initialization issues on amp and delay products
- Fixed possible compression misbehavior at 192k sample rate
- Improved metering behavior
Version 1.3 (Nov 06, 2019)
- General: Qualified for use with macOS 10.15 Catalina
- General: Qualified for use with Windows 10 November 2019 Update
- General: Fixed plugin validation in Logic under macOS Catalina
- General: Fixed preset name restore in Logic when reopening a session
- General: Fixed opening authorization dialog triggering automation
- General: Improved instantiation times for plugins
- General: Improved license functionality and branding for subscription
- General: Removed 32-bit support on macOS and Windows
- Added scalable UI feature
Version 1.2 (Jul 10, 2019)
- Added meter calibration functionality
- General: macOS 10.14.5 Update compatibility
- General: Windows 10 1903 Update compatibility
- General: Fixed activation issue in Windows hosts set to non-English language (e.g. Cakewalk)
- General: AU: Fixed issue with increased CPU and memory on reopening UI
- General: VST3: Fixed issue with adapting to host knob mode, and now prioritizing linear
- General: VST3: Fixed issue with VST3 preset permissions
- General: VST3: Improved synchronization between parameter states and some UI functions, e.g. toolbar reset
Version 1.1 (Nov 16, 2018)
- General: macOS Mojave compatibility
- General: Windows October 2018 update compatibility
- General: adding Windows High DPI support for VST2/3 plugins
- General: Fixed potential crashes in Cubase and other VST2 / VST3 DAWs
- General: Fixed potential CPU spikes and audio dropouts
- General: Fixed rendering in Pro Tools on the start of a session
- General: Fixed missing presets in Wavelab and other VST3 DAWs
- General: Improving keyboard control, fixing issues with catched keys preventing it from passing through to DAW
- General: Fixed parallel use of host sessions (e.g. with Live)
- Fixed THD ALL & V Gain ALL resets all Console THD ALL & V Gain ALL settings to default when loading
- Fixed Solo title remains in Mono version
- Fixed CPU spikes and UI animation issues during automation
- Fixed compressor mix knob at zero produces audible digital clicks
Version 1.0 (Jul 9, 2018)
- Release version
Try for Free
To start a 14-day fully functional trial: Simply download and run the installer on this page, then activate the plugin from within your DAW using your Plugin Alliance account information. No dongle required.
![Bx Ssl 4000 G Bx Ssl 4000 G](https://www.funktasy.com/wp-content/uploads/2017/10/Funktasy_Why_SSL_4000_Mixing_Console_is_still_Highly_Coveted-800x534.jpg)
These are channel strips plain and powerful. They sound great, are very flexible, and very similar!
Pros
– True to the ‘SSL tone'
– Light on the CPU
– Great control over the analog noise and distortion
Cons
– Not cheap, especially if you can't decide between the two!
English (Amy, Chris) and Japanese (Kaori, Ken) are included. Voicebanks for a wide range of genres. Use Voice Banks from VOCALOID3 and 4 without Modification. Voice banks from VOCALOID3 and 4 can be used in VOCALOID5 without modification. You can use VOCALOID5 to. Page 2 of the list of all of the downloadable products that you can purchase from the VOCALOID SHOP and use immediately, including singing synthesizer softwares such as the VOCALOID. Megpoid English is an English version of the highly popular VOCALOID Voice Bank, GUMI. Megpoid(GUMI) is a VOCALOID Voice Bank series that was created based on the singing voice of Japanese voice actress Megumi Nakajima, who is known for her role as Ranka Lee in. MAIKA's I0 corresponds to English VOCALOID's I, whereas MAIKA's I is used in falling diphthongs such as a I. MAIKA's r corresponds to an English r. MAIKA's j is generally equivalent to her j (which is preferred); typically j is only used in words starting in 'y-' or 'hie-'. MAIKA's L0 is a more lateralized variant of her L. Voicebank: Feminine; Japanese, English, Chinese Description: Hatsune Miku is a VOCALOID2. She is 16 years old and based on a Japanese teenage school girl. She is described as 'an android diva from in the near-future world where songs are lost'.
Plugin Alliance has, over the last few months, released several different console emulations to fit across your mix in a DAW, creating the analog inconsistencies and quirks that please the ear when it comes to making music out of the box.
Bx Ssl 4000 E Gearslutz
In this review, I'll walk through the structure for two of the emulations, as they're identical with a couple exceptions, and then I'll do my best to compare and contrast the ‘tone' created by the emulations of the different desks, and what you can expect them to do when put on your mix. Maheshinte prathikaram torrent.
These console emulations are of two SSL desks, one from the 70's, and one from the 80's, complete with the different characteristics that each console had.
The emulations each contain 72 channels, with extremely subtle tonal differences within the filter, compression, expander, gate, and EQ modeled on the original strips on the desks. More on this in a bit.
These plugins contain all the elements that were present on each channel, with the addition of some new hybrid elements that weren't on the original, to bring the plugins into contemporary digital mix world.
Each plugin has 3 main sections; dynamics, EQ and the metering/Channel selection. Dynamics and EQ can be turned on and off at the bottom of each section.
Dynamics contains:
2 filters, Hi-pass and Lo-pass. You can triple the frequency range of each filter, as well as place it on the inputs of the Compressor if you wish.
The classic SSL compression is here, in its simple form. No menu diving on this one, there's 3 basic knobs; ratio, threshold and release. The attack is automatic, unless you press a button to override to a fast attack.
One thing I absolutely loved about the compressor was the Mix control – adding dry signal back into the compressed sound, so if you're too lazy to buss to parallel comp, you can do it all there in the plugin. Brilliant.
You can also stereo link if it's a stereo signal, giving smoother stereo compression, instead of dual mono.
Expansion/gate. You can switch between the two here. Again it's a simple powerful affair, with range, release, threshold and hysteresis knobs. The range affects the gain reduction, and the threshold dictates at what level the gate/exp kicks in. You can also switch to the inverse signal (you only hear the ducked signal).
The dynamics section can be swapped between the two series, so you can have the E or G dynamics on either plugin. This is fantastic, almost giving you 2 plugins for the price of one.
You can switch out depending on whether you want the more colourful E comp or the tighter more precise G comp, along with the exp/gate and filters that come with it.
The side chain is available on all the dynamics processing on both plugins. I absolutely love sidechaining, as I find it tightens up my mixes immensely. I've never done much sidechaining other than with compression, but using it with a gate was a great learning experience. Being able to open the gate on any track when the Kick hits can really tighten up a mix rhythmically.
EQ section
The EQ is 4 band – 2 shelves and 2 parametric bands. Each of the plugins has a switchable EQ type – in the E console it's black and brown knob, and with the G it's orange and pink knob.
On the G series, with the pink knob, there's a x and / by three for the High mid and low mid freqs for a slightly wider frequency range than the E series.
I found the G series EQ slightly more aggressive in its sculpting than the E series, especially the pink knob version. It gave some serious punch to drums, compared to the other EQ's. Both EQ's are very flexible, with distinct tonal characteristics.
I also found the G to sound warmer to my ears. Less cutting than the E. But I definitely found that material responded completely differently to the two EQ's, and your ears will pick up and appreciate different EQs for different source material.
Having the different colour knob flavours just gives you more choice to pick from! You can place the EQ before, in the middle of (side chain), and after the dynamics section.
Metering
This is not just the basic utilitarian section. Yes, it has metering of the main signal, expansion and compression, in and out gain, phase and mute; all the standard bits on a metering section. But the additions to my mind are where the BX console plugins start to stand apart from their competition.
TMT – this element is what sets the BX consoles emulations apart, to my mind. Not only does the plugin emulate the hardware, it goes channel to channel, and emulates the tiny tonal differences between each channel, from each section.
Once you've instantiated the plugin on several (or all) your tracks, you can control which ‘channel' of the mixer each track runs through. You can go through and select a channel on each track, you can randomise one track, or you can randomize all your tracks at once. Heard one channel at a time, I could sometimes hear distinct differences in the way the plugin responded to the source material.
Sometimes I couldn't hear any difference at all. All your settings are kept the same, so you're simply clicking through the different channels, until something pops out, or you give up. But where this truly shines, to my ears, was on full mixes.
As our favourite philosopher, Marilyn Monroe, once said, 'Imperfection is beauty'. Where this plugin really sings is where the ear picks up on slight imperfections in the sound, making the overall picture richer, fuller and wider.
Flicking through the ‘random all' button I found caused really interesting changes in the mix – stuff would get darker, or closer, or stick out a bit. You can turn the TMT off, and have every channel identical, which is a good way to check you're not going mad, or convincing yourself of something that's not there!
The V-gain knob adds analog noise to the signal. It's slightly fluctuating, and changes depending on the channel, so it's not just straight noise. There's thought gone into the noise! I really like the fact that you can choose whether to have the analog noise in or not, and you can adjust the amount. Per channel.
THD – this is possibly my favourite little knob in these plugin series. It adds harmonic distortion to each channel separately.
The combination of this and the modeling of slight differences in each channel just give the analog flavor, that warmth, color, grit that you might be looking for.
I love that you can dial it in per channel, so if you want some guitars dirtied up, but you want to keep the percussion and piano cleaner, then it's as simple as turning some knobs, to get more of that analog distortion, and still keep the clean digital signal running through other channels. Here's a (low quality) video showing Dirk explaining how the console itself had varying tolerances between each channel on his (and other) consoles.
I also like the surprisingly low CPU putting these plugins across the whole mix. It gives you all the basic sound shaping requirements you need on every channel. If only there was something like the Console 1 to enable you to use hardware mapped automatically to the plugins across the mix. That would be extremely useful!
Conclusion
These are channel strips plain and powerful. They're designed to lay across all the channels of your final mix, so they're coded light on CPU. They sound great, are very flexible, and very similar.
The differences tonally are there, but the best way to decide which you prefer is to demo them yourselves. I personally preferred the G console. I felt it was easier for me to give mixes more punch, and weight. But I did love the fact that you could swap out EQ's and Comps on both plugins, giving you a lot of variety within the plugin. I absolutely loved the control over the analog noise and distortion, and the extra flavor the TMT brought.
Highly recommend both – but definitely check the demo versions to see which your ears prefer!
They're $299 apiece, but who knows what the Christmas sale will bring!! More info on the Plugin Alliance website.
DISCLOSURE: Our posts may contain affiliate links, meaning when you click the links and make a purchase, we receive a commission.
You Might Also Like..
MediaVideosImagesOverview
This plugin is included in our MEGA Bundle Subscription and the Brainworx Brand Bundle at no extra cost!
Welcome Solid State Logic to the Plugin Alliance!
The legendary sound of the Solid State Logic 4000 series consoles brought to you by Brainworx. With the power of TMT this officially licensed SSL plugin allows you to build a 72 channel analog console in your DAW. Harness the power of the most famous British console ever produced.
These console emulations were created using the original schematics and in close collaboration with the SSL team. Brainworx have also added powerful plugin only features such as THD, a compressor mix parameter and V-Gain for authentic control of the analog signal path.
The new 4000 E/G Series plugins have been taken to the next level by SSL & BX engineers together:
Bx Ssl 4000 Generator
- Revisited Component Modeling with assistance of SSL engineers
- Created using the original Solid State Logic 4000 E/G schematics
- Completely overhauled EQ, Dynamics and Filter sections
- New Brainworx features added: THD ALL & V-GAIN ALL
Features
- 72 different (!) TMT Channels in one plugin, just like a real console
- 4000 E and G dynamics on board (switchable)
- Global parameters that affect all channels, like RANDOM ALL, THD ALL
- The only CONSOLE emulation, everything else is just a channel strip.
Audio Examples
Industry Reviews
The Brainworx SSL models perfectly frame the beauty of imperfection found in analog consoles.
Customer Reviews
This console is AMAZING
Guys, never used a real one.. Never had the chance to see it for real though. If this plugin is an emulation of the real one, what a miss!! Hopefully this channels are AMAZING!!!! And i mean it,… Read More4000 G
Absolutely love this Channelstrip.
90% of my EQ and compression is done with it (not to mention the amazing TMT on top of that!).
Thanks!bx_console SSL 4000G
While I already own a few emulations of the SSL 4000G EQ from other companies, I just felt I had to try this console emulation out, and it didn't disappoint. Although I'm not working on a project… Read MoreAmazing
Between this and the 9000J, I could be any happier. I love the musicality and bite of the G and how it adds a wonderful weight and depth to the source. Love it!Lovin it
Great one! I love everything that has to do with the SSL, but this one it really works. I custom a preset for my bass and it makes it fat and warm as I like it.
Specification
Supported Plugin Formats
AAX DSP, AAX Native, AU, AAX AudioSuite, VST2, VST3
Supported Operating Systems
macOS 10.9 through 11.0.1
Windows 7 through 10
Mac
Intel CPU only (minimum 2 GHz recommended)
PC
x64-compatible CPU
System Requirements
Display resolution: 1440 × 900px or 1280 × 960px or higher
Memory: 2 GB RAM
Downloads
With the Installation Manager, you can select, download and install just the Plugin Alliance products and formats you need for your system.
bx_console SSL 4000 G Installers
Installation Manager
ChangeLog
Brainworx bx_console SSL 4000 G - Changelog
Version 1.4 (May 27, 2020)
- General: Qualified for use with the Windows 10 May 2020 Update
- General: VST3: Fixed potential hangs in a DAW upon loading
- General: Fixed logical issues in undo / redo behavior
- General: Fixed UI resizing issues in Ableton Live on Windows
- General: Fixed audio processing initialization issues on amp and delay products
- Fixed possible compression misbehavior at 192k sample rate
- Improved metering behavior
Version 1.3 (Nov 06, 2019)
- General: Qualified for use with macOS 10.15 Catalina
- General: Qualified for use with Windows 10 November 2019 Update
- General: Fixed plugin validation in Logic under macOS Catalina
- General: Fixed preset name restore in Logic when reopening a session
- General: Fixed opening authorization dialog triggering automation
- General: Improved instantiation times for plugins
- General: Improved license functionality and branding for subscription
- General: Removed 32-bit support on macOS and Windows
- Added scalable UI feature
Version 1.2 (Jul 10, 2019)
- Added meter calibration functionality
- General: macOS 10.14.5 Update compatibility
- General: Windows 10 1903 Update compatibility
- General: Fixed activation issue in Windows hosts set to non-English language (e.g. Cakewalk)
- General: AU: Fixed issue with increased CPU and memory on reopening UI
- General: VST3: Fixed issue with adapting to host knob mode, and now prioritizing linear
- General: VST3: Fixed issue with VST3 preset permissions
- General: VST3: Improved synchronization between parameter states and some UI functions, e.g. toolbar reset
Version 1.1 (Nov 16, 2018)
- General: macOS Mojave compatibility
- General: Windows October 2018 update compatibility
- General: adding Windows High DPI support for VST2/3 plugins
- General: Fixed potential crashes in Cubase and other VST2 / VST3 DAWs
- General: Fixed potential CPU spikes and audio dropouts
- General: Fixed rendering in Pro Tools on the start of a session
- General: Fixed missing presets in Wavelab and other VST3 DAWs
- General: Improving keyboard control, fixing issues with catched keys preventing it from passing through to DAW
- General: Fixed parallel use of host sessions (e.g. with Live)
- Fixed THD ALL & V Gain ALL resets all Console THD ALL & V Gain ALL settings to default when loading
- Fixed Solo title remains in Mono version
- Fixed CPU spikes and UI animation issues during automation
- Fixed compressor mix knob at zero produces audible digital clicks
Version 1.0 (Jul 9, 2018)
- Release version
Try for Free
To start a 14-day fully functional trial: Simply download and run the installer on this page, then activate the plugin from within your DAW using your Plugin Alliance account information. No dongle required.
Bx Ssl 4000 G Gearslutz
4.9 out of 5 stars
51 total reviews
This console is AMAZING
Guys, never used a real one.. Never had the chance to see it for real though. If this plugin is an emulation of the real one, what a miss!! Hopefully this channels are AMAZING!!!! And i mean it,… Read More
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